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  • D.R.E.A.M. Words and Music

    D.R.E.A.M. Words and Music

    Support Life And Music

    D.R.E.A.M.

    Data, Research, Education, Awareness, and Music

    VI.

    Words and Music 

    This D.R.E.A.M. Report made possible through a generous grant by the Arizona Eastern Star Foundation. For more information about the Arizona Eastern Star Foundation, please visit https://www.azoes.org/az-oes-foundation.html

    So let it be written. 

    Every song tells a story. Music’s most celebrated lyricists have made careers of pairing words with music to paint pictures, tell tales, and evoke moods. It’s no surprise that so many of our SLAM: Music Survival Guide guests have called out the act of writing as therapeutic, as a way of coping. This D.R.E.A.M. report is focused on the connections between the written word and mental health, as expressed by SLAM Summit participants. 

    I guess it’s obvious I also like to write. 

    This topic is kind of a doozy, so we’ll need to make some clarifications: 

    We’re mainly focused on the personal act of writing (journals, diaries, poems, lyrics, stories, memories, half a page of scribbled lines, etc.) as a therapeutic exercise – – not necessarily professional writing or writing to fulfill assignments. Let’s all agree, though, that therapeutic comfort can also be found writing for the latter purposes as well. A few judgment calls were made determining the relevance and qualification of inclusion of some of the quotes in the dataset. 

    This particular study makes no distinction between writing by hand or typing on a keyboard. 

    The Findings: 

    People said I was a writing fool.

    After researching and parsing the relevant commentary, we broke down the top writing-related themes into the following five categories: Emotional Processing, Self-expression, Pure creativity, Recording personal history, Self-identity.  

    Emotional processing: The act of writing out thoughts and feelings in order to better process, understand, and cope with situations, thoughts, feelings, or anything else in one’s environment. 

    “I guess that’s a way that you can express that instead of holding it all inside you, I did some incredible writing, just trying to work through the stuff that was in my head and in my heart.”

    “That’s my therapy, really. . . And it’s far cheaper than paying 300 bucks an hour to see a therapist. I get to process all my emotions. Write it down.”

    “You could just write about it. Just write a letter. You don’t have to write a poem. You could write a letter, you could just write adjectives, whatever you want. But. . . release the steam valve.”

    Self-expression: The need to channel strong or profound feelings or thoughts via the written word – – for the sake of the feeling, not for art’s sake. 

    “it doesn’t matter if you’re a writer or a musician. You put yourself into your book quite a lot, especially if it’s your first one.”

    “I wrote this because it needed to come out.”

    Pure creativity: Similar to Self-expression, Pure creativity focuses on the artists’ universal urge to channel their words and their expression into a work of art.  

    “Sometimes I’ll grab from the mountains of little slips of pieces of paper that I have everywhere with phrases and words and paragraphs and partial lyric ideas, or…notebooks I have, and things like that.”

    “Most of the time, when people fall into the dark places, there’s a part of their being, whether it’s an artistic or creative side of them, that’s screaming to get out.“

    “I read all the time, I write all the time, I’m always writing, I’m always reading.”

    Recording personal history: Journaling, diary writing, recording events, thought, feelings, etc. so they’re not forgotten.  

    “Hey, you were there. You saw this. We think you know you should write about it and share it.”

    “Everything that you do as a musician or a writer. You’re putting it out there.”

    “There were moments that weren’t amazing, and they were kind of dark, but I thought: All of that has to be in there “

    Self-Identity: Writing out words as an exercise to help deepen understanding of one’s self and one’s own motivations. 

    “Everybody has a story. You just have to find it.”

    “ A great exercise is to just draw a line down the center of a blank sheet of paper and in the left column, write all the things that you don’t want. And then on the right side, just write the complete opposite. Cut the paper in half. Throw the left side away. And now you have the things that you want.”

    If someone could write the feelings of the heartaches and the pain.

    Conclusion: We’ll state the obvious first: writing is favorably viewed by SLAM Music Survival Guide guests as a therapeutic exercise. Varying commentaries on the purposes and specific benefits were found, as described above, but there were no disparaging remarks for the act of writing. Unsurprisingly. 

    There was one surprising observation in our findings, however: Writing was never mentioned as an “escape,” in the same ways commonly ascribed to music listening, music performing, reading, acting, watching movies, exercise, gaming, and numerous other artistic, leisure, and/or wellness activities. Various panelists spoke of writing as a method for understanding, learning, coping, reflection, personal development, and even for confronting difficult feelings, but none spoke of writing as escapism. 

    In my personal opinion and experience, yes, many forms of writing can also provide healthy stress distractions. Do music professionals feel the same? We’ll dig deeper on this point for future iterations of this topic.  

    Recommendation: D.R.E.A.M. Reports typically don’t close with recommendations, but we’ll make an exception here.
    Write.
    Jot down your feelings, create poems, lyrics, narratives, stories, essays, memoirs, etc. Translate your ideas and feelings into words. Just always use proper grammar.

    Every day I write the book.

    How it’s done done done. 

    • The S.L.A.M. internal Data Research Education Awareness Music Team (D.R.E.A.M. Team) analyzed the full spoken content of 50 different “SLAM: Music Survival Guide” panel discussion recordings, tagging meaningful statements across various categories. This report focuses on quotes associated with the concepts of success. 
    • We did not seek to confirm or debunk the truth or validity of any statements made. The purpose was to analyze, process, quantify, draw logical connections, find meaningful commonalities, themes, and/or contradictions between the statements, and ultimately share the recorded observations, feelings, concerns, beliefs, philosophies, etc., in the speakers’ own words and lyrics. No judgments of the speakers or others present on the call are intended, nor should any be inferred. 
    • The speakers were invited to participate in “SLAM Summit: Music Survival Guide” panel discussions. All episodes are publicly available or are scheduled for release at http://www.supportlifeandmusic.org/voices. The quotes in this report will be kept anonymous, and are not intended to be taken out of context as any kind of reflection on any persons involved in the conversations. 
    • Some of the content presented has been edited to:
      • Remove extraneous words and phrases, like “you know,” “um,” “like,” etc., as well as to remove repeated or stammered words/phrases. 
      • Correct obvious Zoom transcription errors in translation, dictation, or grammar. (crosschecked against the actual episode audio.)
    • No statement was changed, no quote was edited to directly or indirectly change its original meaning in any way. 
    • The “Conclusions” sections of this report were written solely in-house at Support Life And Music, and its recommendations are drawn from S.L.A.M. backgrounds in the music industry and mental health, as well as from the designated data set. All facts, figures, opinions, conclusions, and suggestions in this article are presented solely for informational purposes. There are mental health improvement techniques that can be undertaken by anyone in any situation to benefit themselves and others, but consultation with a certified mental health professional is always recommended. See the Support Life And Music website for an expansive list of healthcare providers. 

    References:

    Metallica “Creeping Death” (1984). Ride the Lightning [Album]. Megaforce

    Digital Underground “The Humpty Dance” (1990) Sex Packets [Album]. Tommy Boy, Warner Bros. 

    Pink Floyd “Time” (1973). The Dark Side of the Moon [Album]. Harvest, Capitol

    Dan Baird “I Love you Period” (1992). Love Songs for the Hearing Impaired [Album]. Def American

    Ray Charles “Somebody Ought to Write a Book About It” (1967). Here We Go Again / Somebody Ought to Write a Book About It [Single]. Abc Records, Tangerine Records

    Elvis Costello “Every Day I Write the Book” (1983). Punch the Clock. F-Beat, Columbia. 

  • Roddy Bottum – The Royal We

    Roddy Bottum – The Royal We

    The Royal We by Roddy Bottum

    2025 Akashic Books

    “The Royal We” is an autobiography that reads like a Lost Generation novel, following its lead character’s childhood and adult years in California. Recollections abound of melancholy, heartache, addiction, love, relationships, family, growing up gay in the 70s-80s, death, Courtney Love, Kurt, music, L.A., and San Francisco. Roddy Bottum doesn’t just recount the events of his life, he describes them with shrewd, keen, intelligent, personal detail. Many of the passages feel like diary entries, but others hit like the lush prose of a great novelist. Bottum not only evokes Fitzgerald, Miller, Salinger, Kerouac, and Steinbeck, but also channels more modern writers like Hornby, Perrotta, and Straczynski. 

    Dear reader, you’re welcome to skip this next paragraph: it’s directly solely at the author: 

    Dear Roddy (can I call you Roddy?),
    We’ve seen what you can do with words. Please deliver your fans a novel – – or at least some short stories. I’d never ask you to compromise your music; I’m just requesting that you invest the same energy, voice, talent, and passion that you gave “The Royal We” into some fiction.
    Sincerely, Jack. 

    OK, where were we? 

    The book chronicles Roddy’s upbringing in L.A., walking us by hand from childhood to his young adult days, living a precarious, casually desperate life of playfulness, mischief, occasional squalor, friendship, love, sex, heroin, rehab, and exploration – – mostly in San Francisco, but sometimes drifting back to Los Angeles. Roddy comes across as someone who lives fearlessly, especially in his art, always eschewing the safe and well-trod in favor of the progressive and risky. Paradoxically, however, in interpersonal relationships – – i.e.: friends, partners, bandmates, etc. – – he comes across as someone who tries to keep the peace and smooth tensions.  

    He shares his observations of those around him with candor and honesty, but also with sensitivity, empathy, and affection. Only a few get his full-on contempt – – and those are never directly named (although their fame gives them away). He rarely uses anyone’s last names, which often leaves the reader unsure (e.g.: “Does he mean that Billy?”). This doesn’t cause confusion or frustration, though, as you might expect; it makes the stories more intimate, as if you’re sitting for a coffee conversation with him, discussing a shared community of friends. 

    It must be noted that this is the story of Roddy Bottum’s life, not a step-by-step history of Faith No More. . . There are numerous sections about the band’s origins and rise to fame, with many anecdotes about various members, but not a ton of details about the records beyond “Angel Dust.” He touches on Imperial Teen’s formation and first record, but that’s it. There’s only a closing hint of Man on Man. 

    That’s ok. We sat down together to read about Roddy’s entire life, not just his rock stardom. The passages about his closeness with Courtney Love and Kurt Cobain are among the most moving. Before “The Royal We,” I was unaware of their intimacy. The period following Kurt’s suicide are heart-rending. The accounts of his darkest days of heroin sickness, near-misses with death, and rehab, accompanied by more suicides of friends, are bleak and harrowing. The events he’s experienced and observed are the reasons S.L.A.M. exists. 

    I’d always known Roddy Bottum was a brilliant musician; he elevates every song, no matter who else is there. But this book reveals a complex, sensitive, empathic, deep-thinking man, away from the keys. I trust him. His meditations on life and death are poignant and provocative. Thank your deity of choice for “The Royal We.” And thank her also for Roddy Bottum. 

    Jack Mangan

  • S.L.A.M. at NAMM 2026

    S.L.A.M. at NAMM 2026

    In the same way that Cons and ComicCons bring fandoms together, the NAMM Show unites the music world every January to celebrate the art and business of music. Community, connection, technology, sound, and wonder merge into one sprawl inside the Anaheim Convention Center. 

    Wear comfortable shoes. 

    This is the who’s who music event of the year. The NAMM (National Association of Music Merchants) Show is the only place you can meet the inventor of the .mp3 file format (Dr. Karlheinz Brandenburg), the iconic singer from Living Colour (Corey Glover), the powerhouse bassist from Mercyful Fate (Becky Baldwin), Stevie Wonder, and a major brass instrument retailer sales executives in the same afternoon. You can walk across one area the size of a football field and hear a bluegrass ramble, a soul-gripping blues jam (looking at you, Jared James Nichols), a Thrash Metal shredfest, and a scratch DJ performance, all within a few minutes of each other. 

    NAMM is not just a feast for the ears – – between the food trucks, the creature comforts for musicians to try out and purchase, the stage effects, the amazing variety of instruments to touch and play, or the world-class musical performances on the various stages around the venue, every sense gets treated. 

    The diversity of the NAMM Show is probably its greatest selling point: retailers of every level have spaces in its halls, from mom-and-pop boutique luthiers to billion-dollar manufacturers. I witnessed a conversation between three guys in ripped leathers and corpse paint and a short-haired corporate guy in a suit – – with all parties fully engaged and respectful (no picture – sorry!). 

    My personal favorite takeaways were the connections. Strangers became friends, even for the duration of the conversation and the exchange of cards on the floor. Just exploring the Convention Center will open you up to the most amazing, off-the-cuff, unexpected chats with amazing, interesting people. Music is the great connector, and NAMM is the world’s greatest network hub. 

    Some will tell you it’s overwhelming.
    They’re right. In the best ways.
    Every music professional needs to experience this event at least once.

    I won’t clog up the end of the article with a long list of gratitudes. Just two.

    Thank you to the NAMM staff, whose patience and hyper-competence made registration so easy.

    Thank you to Eric Haley and Marc Pruett (The Whiskey Network), my two Support Life And Music compatriots whose assistance was invaluable in making the event successful for us. Hanging with these guys is a hell of a lot of fun.

    Jack Mangan, Eric Haley, and and Mark Pruett – – one of Rock’s greatest power trios.
  • SLAM: Music Survival Guide 49 – The Business of Silliness

    SLAM: Music Survival Guide 49 – The Business of Silliness

    Professor Elemental – “The preeminent Rap (Chap Hop) superstar of the U.K.”

    SLAM Bumper: 1 minute

    Lyrics reference: Professor Elemental.

    -If you’ve got other orangutans you want to speak to on your presumably orangutan-themed podcast, you just crack on, mate.
    -What would I be doing today if I felt on top of the world? How would I treat myself?
    -The business of silliness is really important.
    -Loneliness plays a huge part in modern society and how sad people get.

    https://www.professorelemental.com

  • SLAM: Music Survival Guide 48 – please

    SLAM: Music Survival Guide 48 – please

    This may be one of the most powerful episodes we’ve done. Chris Hathcock of The Reticent talks to us about their recent album, “please,” which Jack Mangan ranked as a Noteworthy Album of 2025.
    Chris understands the psychology and reality of music and depression at about five levels deeper than anyone else. Jack is usually pretty stoic, but he gets emotional during the course of this conversation. This one just hits home.


    Trigger warning: There is frank, open talk about suicide in this episode. If you are aware that you or someone you know may be at risk, call “988” from your phone. You are not alone. You are not without hope.
    SLAM Bumper: Jason McMaster

    Quotes:
    -My first book was just a humor thing, which is extra funny considering how depressing my music is.
    -The depression may be telling us the truth as it sees it.
    -When the despair comes, if you can, see if there’s a kindness you can do

    https://thereticent.net/home

  • SLAM: Music Survival Guide 47 – RIP!

    SLAM: Music Survival Guide 47 – RIP!

    R.I.P. – Regiment, Intranced, Persekutor

    Regiment – Tyler Heath
    Intranced – James-Paul Luna
    Persekutor – Vlad the Inhaler

    Three of the best NWOTHM vocalists in the game today talk about the challenges and rewards of the musician life.

    Lyrics Reference: Saxon
    Host(s):Jack Mangan, and Mark Pruett (The Whiskey Network)
    Jack’s T-shirt: Fender

    Lead quote: People are eating this stuff up. Everybody who’s in the room is in the room for a very specific reason, and it’s because of the music.
    Quotes:
    -It used to be not important to me, and I got kind of in some dangerous situations. . . I used to do all kinds of crazy stuff.
    -The front man needs to be, yeah, hydrated, lubed up, and rested.
    -The main reason I do that, another job, you know, is so I can set aside the time and have the funds to make the tour, to make the recordings of our music and, you know, give the peoples what they want.

    https://regiment-official.bandcamp.com/album/soldiers-of-speed
    https://intranced.bandcamp.com/music
    https://totalpersekution.bandcamp.com/
    https://whiskeynetwork.net/

  • D.R.E.A.M. – This is How We Do It 

    D.R.E.A.M. – This is How We Do It 

    Support Life And Music

    D.R.E.A.M.

    Data Research Education Awareness and Music

    V.

    This is How We Do It 

    This D.R.E.A.M. Report made possible through a generous grant by the Arizona Eastern Star Foundation. For more information about the Arizona Eastern Star Foundation, please visit https://www.azoes.org/az-oes-foundation.html

    The first four monthly D.R.E.A.M. reports focused on specific topics relevant to the living/working conditions of modern musicians. They’re great! You can find them here: 

    1. Unique Risk Factors (September 2025)
    2. Substance Misuse (October 2025)
    3. Through the Mirror (Two articles) (November 2025)
    4. Here Comes Success (December 2025)

    This month’s report is a bit different. We’re going to take you on a tour of the D.R.E.A.M. factory to reveal our processes and goals, and to shed a bit more light on our intention and purpose for the program. 

    No one really knows how the game is played / The art of the trade / How the sausage gets made.

    But first, introductions. 

    The D.R.E.A.M. Team. 

    We’ve received content/expertise/proofreading/editorial contributions from the following Support Life And Music’s Advisory Council (SLAM Band) members on some or all of the reports:

    • Jack Mangan
    • Sarah Hyde
    • Dr. Sheila Unwin, Ed.D
    • Dr. Carolyn Cavanaugh Toft, Ph.D

    Overview and purpose: 

    I want to see a change in the future / I’m gonna make the best of what I have

    We’ve shared figures in our previous D.R.E.A.M. reports to illuminate society’s great musician mental health crisis, an issue that’s gone almost entirely unaddressed – – or worse, romanticized – – for over a century. Musicians are far more likely to die of suicide or accidental death than the rest of the population. This is one of the most at-risk of all professions. Musician lifespans are shorter

    In spite of these sobering facts, the professional mental health communities and the music business are sorely lacking in musician-specific information, data, and resources. Support Life And Music exists to strengthen mental health and well-being for musicians and fans. We’re generating topic-driven data reports to reduce these knowledge gaps. Music industry and/or mental health organizations can leverage the data in thousands of beneficial ways – – independently or in collaboration with S.L.A.M. The possibilities are endless, including: 

    • Spotting trends and commonalities in behaviors, perceptions, attitudes, coping and preventative measures, etc. 
    • Analyzing the findings to identify, strengthen, and fine tune the positive, helpful concepts. 
    • Analyzing the findings to identify, debunk, and devise preventative systems and measures against the negative, destructive concepts. 
    • Equip music industry entities of all kinds with the tools needed to enact information-based systems and safeguards to protect their artists and consumers.  
    • Equip counselors, therapists, psychiatrists, psychologists, and others with musician-specific info to develop musician-specific mental health therapies, educational materials, and situational understanding. 
    • Sharing insights and data heretofore unknown and unavailable.
    • Education, positive encouragement, and enlightenment. 

    Methodology and Sources: 

    I’m gonna show you how it’s done done done. 

    • Data: For the first four reports, we analyzed all available recorded SLAM: Music Survival Guide transcripts, seeking commentary from panel guests and participants related to the article’s topic. This is the process.
      • Acquisition:
    • D.R.E.A.M. Team members with professional data analytics backgrounds perform keyword searches of all related terms.
      • For the first report, searches were conducted across multiple transcript files. For all subsequent searches, the quotes were drawn from a Master data file, consisting of all existing transcripts compiled together.
        • D.R.E.A.M. Team analysts checked the episodes to find new comments and to verify the accuracy of the transcribed comments.  
    • D.R.E.A.M. Team analysts reviewed the SLAM: Music Survival Guide episodes seeking relevant commentary/quotes as data points. 
    • At times, D.R.E.A.M. Team analysts utilized so-called “AI” tools (e.g.: NotebookLM, Google Gemini, ChatGPT) to scan the transcript files seeking relevant usable commentary as datapoints. The analysts quality-checked all AI findings. 

    Analysis:  

    • The D.R.E.A.M. Team then identified trends, commonalities, and themes in the pool of acquired data points. These points were also tallied and quantified to enable counts and charts in the output. This has been done leveraging human professional data analysis backgrounds. On reports II and IV, “AI” tools also contributed to this analysis. 

    Output: 

    • The report format has remained fairly standard, with only minor changes in each. Every report includes S.L.A.M. branding and title in the header, opening text explaining the purpose and theme of the report, and a presentation of the data itself. Relevant charts are inserted into the report for emphasis, clarity, and to enhance visualization. Pertinent song lyrics and/or references are often added too, to increase readability and relatability for the reader. Thunder only happens when it’s raining.
      Conclusion paragraph(s) follow the data, followed by an explanation of the data, tailored to the current report. The boilerplate explanatory text is as follows: 
    The S.L.A.M. internal Data Research Education Awareness Music Team (D.R.E.A.M. Team) analyzed the full spoken content of 36 different “SLAM: Music Survival Guide” panel discussion recordings, tagging meaningful statements across various categories. This report focuses on quotes associated with the concepts of success. We did not seek to confirm or debunk the truth or validity of any statements made. The purpose was to analyze, process, quantify, draw logical connections, find meaningful commonalities, themes, and/or contradictions between the statements, and ultimately share the recorded observations, feelings, concerns, beliefs, philosophies, etc., in the speakers’ own words and lyrics. No judgments of the speakers or others present on the call are intended, nor should any be inferred. The speakers were invited to participate in “SLAM Summit: Music Survival Guide” panel discussions. All episodes are publicly available or are scheduled for release at http://www.supportlifeandmusic.org/voices. The quotes in this report will be kept anonymous, and are not intended to be taken out of context as any kind of reflection on any persons involved in the conversations. Some of the content presented has been edited to:Remove extraneous words and phrases, like “you know,” “um,” “like,” etc., as well as to remove repeated or stammered words/phrases. Correct obvious Zoom transcription errors in translation, dictation, or grammar. (crosschecked against the actual episode audio.)No statement was changed, no quote was edited to directly or indirectly change its original meaning in any way. The “Conclusions” sections of this report were written solely in-house at Support Life And Music, and its recommendations are drawn from S.L.A.M. backgrounds in the music industry and mental health, as well as from the designated data set. All facts, figures, opinions, conclusions, and suggestions in this article are presented solely for informational purposes. There are mental health improvement techniques that can be undertaken by anyone in any situation to benefit themselves and others, but consultation with a certified mental health professional is always recommended. See the Support Life And Music website for an expansive list of healthcare providers. 

    Reports III and IV have included a References section for all lyrics citations. Such References will be included whenever necessary. 

    Review process: S.L.A.M.’s D.R.E.A.M. Team includes members with professional business data analysis backgrounds, plus one member with a Ph.D in Psychology, and one with an Ed.D. in Leadership and Learning. Depending on availability, internal team members review the articles prior to publication to ensure quality control, veracity, accuracy, and acceptable grammatical presentation.  

    Publication and sharing: The article is then published in the Articles section of the Support Life And Music official website. https://www.supportlifeandmusic.org/Articles/

    The articles are then shared by Support Life And Music and its various members across various social media platforms. Links have been sent directly to external mental health Ph.Ds, professionals, and experts, as well as music industry and philanthropy subject matter experts. 

    The D.R.E.A.M. future: 

    I believe / We can change anything / I believe / We can rise above this / I believe / There’s a reason for everything / I believe / In my dream.

    ♮ More power!

    SLAM: Music Survival Guide transcripts will continue to be one source of data. We are working toward utilizing more robust database technologies, which will allow for more sophisticated analytics options and greater data integrity, efficacy, efficiency, and security. The master transcript file will then serve only as a backup, until it can be sunsetted. 

    ♮ Added data collection methods: 

    • For some reports, Support Life And Music will leverage inhouse data analysis and marketing experience to conduct targeted surveys of specific and/or general population groups. The questions will be crafted and refined with the help and guidance of the D.R.E.A.M. Team’s data experts and smart people (Ph.D.s, Ed.D.s). 
    • The surveys will also be conducted by specialized professional marketing firms, when applicable, appropriate, and budgetable. Independent firms hired by Support Life And Music will enable options to conduct and analyze highly-scalable survey responses for use in D.R.E.A.M. reports. 

    ♮ The request line is open! 

    We will work with individual orgs and persons to create bespoke D.R.E.A.M. reports. We’re taking requests! Please feel free to contact us to talk about pertinent topics you’d like to see covered. We’ll also reach out to make suggestions that will benefit specific people, companies, organizations, causes, etc.  

    ♮ Peer review. 

    Our internal review process will continue, but in the future, each report will undergo review from at least one external subject matter expert before publication. 

    ♮ Increased circulation, visibility, impact. 

    Increasing the scope of D.R.E.A.M. subscriptions, emails, press, social media, dialogue – -i.e. Stoking greater interest and broadening readership.  

    *A note on frequency: The D.R.E.A.M. reports will continue to release on a monthly basis, allowing for occasional months with no publication.
    At the inception of D.R.E.A.M., we’d entertained the notion of doing two reports per month. . . but then we came to our senses. Regardless of staff and resource increases, the 10-12-per-year cadence will likely never change.  

    ♮ Help! 

    The musician mental health crisis is real. It’s critical. It’s devastating. It’s so embedded in our culture, that few acknowledge the need to push back. Musicians living unstable, shortened, tortured lives – – hey, that’s just how it’s always been. “The price of fame. Artists are crazy. What are you gonna do?” Our greatest struggle as an organization has been raising awareness of the seriousness and severity. We may never fully convince the larger population, but we won’t stop fighting to save and improve music lives. We’ll continue battling, using our Artist Voices, D.R.E.A.M, and help directory. 

    Thank you. 

    The next D.R.E.A.M. Report will be topic-driven.

    Any requests?   

    References.

    -Lin-Manuel Miranda “The Room Where It Happens” (2015).Hamilton (Original Broadway Cast Recording) [Album]. Atlantic. 

    -Queensryche “Best I Can” (1990). Empire [Album]. EMI USA. 

    -Huntrix “How It’s Done” (2025). KPop Demon Hunters (Soundtrack From the Netflix Film) [Album]. Interscope, KidinaKorner.

    -Fleetwood Mac “Dreams” (1977). Rumours [Album]. Warner Bros. 

    -Joe Satriani “I Believe” (1989). Flying in a Blue Dream [Album]. Relativity. 

  • SLAM: Music Survival Guide 46 – Blitz

    SLAM: Music Survival Guide 46 – Blitz

    Bobby “Blitz” Ellsworth of Overkill talks music, Thrash, music business, getting paid, Metallica, vocals, drinking, drugs in the scene, New Jersey, New York, survival, and being a regular guy. Overkill were one of the bands who helped define the Thrash genre. Bobby’s voice is iconic.

    Hosts: Jack Mangan and Rich Catino (MetalAsylum.net)

    Lyrics Reference: Overkill

    SLAM Bumper: Doro Pesch

    Quotes from this episode:

    -It’s almost like the secret silent killer, isn’t it?

    -I’m grateful to be able to have lived my life in Levi’s and motorcycle boots.

    -I was drinking with Pete Steele. I mean, what do you think’s gonna happen?

    https://wreckingcrew.com/Ironbound/

  • SLAM: Music Survival Guide 45 – The Keith Roth Workout

    SLAM: Music Survival Guide 45 – The Keith Roth Workout

    Keith Roth! Satellite radio listeners hear his distinctive raspy voice on SiruisXM’s Ozzy’s Boneyard and Hair Nation, but he’s also a musician who’s worked with. . . too many projects to list, including David Johansen, Bon Jovi, The Ramones, The Dictators, and Frankenstein 3000.  

    Lyrics Reference: The Rolling Stones 

    SLAM bumper: Burton C. Bell and David Ellefson

    Three Episode Quotes: 

    • There you go, let’s put that on a poster and sell it.
    • Kids mature a lot quicker in New York. It’s just because of a product of surroundings, but it’s the greatest city in the world.
    •  I get on that treadmill, and by the time I get off it, it is therapeutic.

    https://www.siriusxm.com/hosts/keith-roth

  • SLAM: Music Survival Guide 44 – It’s Just Too Damn Easy

    SLAM: Music Survival Guide 44 – It’s Just Too Damn Easy

    Michael Brandvold and Evo Terra return to discuss the pros and cons of music streaming for fans, musicians, performers, and everyone else. 

    Lyrics Reference: Dolly Parton and Kenny Rogers 

    SLAM Bumper: Sam Saltman

    Quotes: 

    -I still buy vinyl, but here’s the thing. I don’t buy vinyl to actually listen to vinyl. I buy vinyl from artists I love to support the artist. 

    -You can take steps on your own, on your own website, to make it super convenient and dirt cheap for the listener to download your stuff. 

    https://michaelbrandvold.com

    https://simpler.media/